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Galya Lutzky Click "Edit content", then click here to add a photo

Participating Artist

Galya Lutzky

Berlin, Germany

Galya Lutzky is a Berlin-based multidisciplinary artist whose practice spans painting, drawing, installation, and sculpture. Drawing on her background in mathematics, she explores the intersection of geometric order and intuitive expression, investigating how structures, patterns, and systems shape the way we perceive and navigate the world. Through layered compositions, reflective materials, and carefully constructed forms, her work creates dynamic spatial experiences that shift with the viewer's perspective.

Balancing precision with experimentation, Lutzky's practice examines the dialogue between logic and perception, permanence and transformation. Her works invite multiple interpretations, encouraging viewers to engage with the subtle relationships between form, space, and movement while reflecting on the invisible frameworks that underpin everyday reality.

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Selected Works

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Title

Structures Series, 2021 & 2026

Year · Medium · Dimensions

Acryiic on Mirror Film

Price

32 x 32 cm each

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Title

Urban Reflection I, 2026

Year · Medium · Dimensions

Acryiic on Mirror Film

Price

60 x 90 cm

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Title

Urban Reflection II, 2026

Year · Medium · Dimensions

Acryiic on Mirror Film

Price

60 x 90 cm

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Title

Urban Reflection III, 2026

Year · Medium · Dimensions

Acryiic on Mirror Film

Price

60 x 90 cm

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Title

Urban Reflection IV, 2026

Year · Medium · Dimensions

Acryiic on Mirror Film

Price

60 x 90 cm

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Title

Urban Reflection V, 2026

Year · Medium · Dimensions

Acryiic on Mirror Film

Price

60 x 90 cm

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Title

Urban Reflection VI, 2026

Year · Medium · Dimensions

Acryiic on Mirror Film

Price

60 x 90 cm

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Title

Wired Objects, 2026

Year · Medium · Dimensions

Wire and cord

Price

Various sizes

Artist Statement

I investigate how structure is formed, transformed, and perceived. Working with layered grids on reflective surfaces, I create spatial systems that bring together mathematical thinking and the unpredictability of the hand.

Rather than illustrating mathematical concepts, I use structure as a visual language. Subtle shifts, imperfect alignments, and changing reflections keep each work open to multiple readings. The reflective surface incorporates the viewer and the surrounding space, making the image fluid rather than fixed.

In the context of *Underground Garden*, these works reflect on the hidden processes through which systems evolve and adapt. Rather than depicting rupture, they suggest that transformation often emerges gradually from within existing structures, where small variations accumulate and generate new possibilities.

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